The first hollywood cinema movie cameras were attached immediately to the mount of a tripod or alternative support, with just the crudest type of levelling equipment provided, in the style of the still-camera support of the hollywood era. The original movie cinema cameras were hence resolutley fixed during the course of the shoot, and thus the original camera movements were created by attaching a camera to a moving car. The original sighted, well before cinema or hollywood, of these was film shot by a Lumière cameraman from the rear platform of a train leaving Jerusalem around 1896, then by 1898 there were ,amy more cinema movies shot using moving trains, Hollywood was beconing. Despite documented within the general heading of “panoramas” in the sales brochures of the era, those movies shot immediately forward looking out from the front of a train engine were specifically referred to as “phantom rides”.

Sometime in 1897, Robert W. Paul had the original actual rotating camera mount made to put atopon top of|on} a tripod, so that the camerman was able to track the passing parade of Queen Victoria’s Diamond Jubilee in a single uninterrupted cinema shot. The attachment had the camera mounted on a vertical setting which could be rotated with a worm gear activated by rotating a handle, and Paul placed it on general retail the next year. Shots made with such a “panning” device were also referred to as ‘panoramas’ in hollywood catalogues of the original decade of cinema.

The normal pattern for newy movie studios in Hollywood was provided by a studio that Georges Méliès constructed sometime in 1891. It had a glass roof and three glass walls constructed after the model of large studios for regular photography, it was also fitted with flimsy cotton blinds that could be stretched below the roof to counteract the bright ray of the sun on sunny afternoons. The natural overall light without real shadows that this setup produced, and which also happens naturally on mildly overcast days, was to become the basis for cinema film production in hollywood film studios for the next generation.

Unique within all the one minute hollywood cinema movies shot by the Edison company, that shot parts of the acts of variety performers for its Kinetoscope cinema viewing machines, was The Execution of Mary, Queen of Scots. The film portrayed a person dressed as Mary placing her head on the execution block before a small group of locals in period dress.

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